Which Color Space Profiles to use ?
June 30, 2008
Filed under COLOR
One of the most common questions asked by photographers is, “Which working space profile should I choose when converting RAW files, when scanning, or when setting up my digital camera?” Working space profiles (or editing space profiles) are generally embedded inside files, such as TIFFs, PSDs, and JPEGs. If you shoot in RAW mode, the working space profile setting (usually sRGB or Adobe RGB [1998]) that you can often choose in your digital camera, has no real meaning until you export your file and choose a working space profile using RAW processing software.
Using Video to Promote Photographers
June 30, 2008
Filed under THE WEB
The advantage of the digital age is that anyone with talent can now market themselves as a photographer. The disadvantage is that with so many photographers to choose from, buyers and clients have to make some difficult decisions. When they’re looking at portfolio after portfolio, each filled with professional-quality images and each indicating clearly that the photographer has all the right technical skills, how should the client make a choice?
Paths and Masks PhotoShop Video Tutorial.
June 30, 2008
Filed under PHOTO RETOUCHING, PHOTOSHOP, TUTORIALS, VIDEO
An other approach to PS from the you-suck-at-photoshop guys :
Black And White Photography: Open Your Eyes To A Different Reality
June 29, 2008
Filed under PHOTOGRAPHY
Black and white photography is a rewarding and challenging field of artistic photography. Even people who don’t care about photography can find themselves drawn to a great black and white image. As a photographer, black and white can allow you to discover a whole new character in a familiar subject.
Do it yourself photography : making your own softbox.
June 27, 2008
Filed under FLASH, LIGHTING, PHOTO GEAR, PHOTOGRAPHY
“This is a DIY project I have had in mind for a while now. When I purchased my studio flash heads, they came with a couple of small softboxes. Although I prefer to use translucent umbrellas whenever I can (small, light, easy to transport), there are times when a softbox is a better solution. While I could use the studio head softboxes in some circumstances with my small strobes, there was no way of effectively holding the flash in place without a lot of jerry rigging. To this end, I wanted to design a softbox that would be light, reasonably strong and durable, adaptable (double diffuser, grid attachment, barn doors etc.) at a later date and have a quick and easy way to mount the flash.”
The Secrets of Successful Stock Photography
June 26, 2008
Filed under PHOTOGRAPHY, THE WEB
“One of the most impressive things about professional photography is the range of people who take it up. From teenagers skipping college and shooting bands between trips to exotic locations, to former surf fans who have found a way to turn a couple of hobbies into a one full-time job, the background of the people who choose to generate an income from images can sometimes be as interesting as the pictures they take.”
Selection from Flickr pool I
Thanks to your quick response to our call to join our Flickr Group / Pool
Here are selected images from our first pool photos :
Join DigitalPixels.net’s Flickr Photo Pool.
June 24, 2008
Filed under THE WEB
Join us at our Flickr Photo Pool / Group and let us and co-readers see your work !
Portable softbox for speedlites and hot shoe flashes details.
June 24, 2008
Filed under FLASH, LIGHTING, OUTDOORS, PHOTO GEAR, PHOTOGRAPHY, SPEEDLITES
I’ve been receiving more and more emails asking for information about the softbox I use with the speedlites.
Several brands offer this package, I opted for the Chimera set as it was complete and had a larger box than the other brand at the time of purchase.
So, here are some details about what I’m using.
As you can see it is the Chimera PRO II XS softbox that I’m using.
10 ways to stay inspired for your wedding photography.
June 24, 2008
Filed under PHOTOGRAPHY
Are you fired up, ready to go, can’t wait to get on site and take the first shot. I hope so. Because if you are not, think about changing jobs - your giving the rest of us a bad name. Too many photographers approach a wedding as just a way to make a little extra money. I call it beer money. It’s that extra bit of cash in their pockets from a weekend job. Other photographers may complain, “Oh, I’ve got another darn wedding to shoot tomorrow.” If it’s a darn wedding, then why are they shooting it to begin with? Hey, we are back to that beer money mentality again.
