We’ve taken our white seamless BG and made it pure white. The task set before us now is to get a few more visual options out of that white seamless paper or simple white wall we are shooting against.
When I got my first studio space I had few resources to fill it up with backgrounds and stuff that studios should have. The very first thing I bought was a roll of white seamless paper. I had to start using it with two lights. One on the subject and one on the background. That’s all well and good but I needed to have the ability to get as many looks out of that one background. These are some of the simple and effective techniques I still use to get some different looks from a single background.
