Set the ISO to 400 - this gives you much greater latitude with the strobes. Set the aperture to f/6.3 as a good starting point. With wide-angle lenses, DOF is not really a problem. Adjust the shutter speed to expose for the windows ...

So, we already know that direct flash from your built-in flash gives unflattering results, to say the least. Using your speedlight in the same way won’t change much. I did mention that you can redirect the light by rotating the head of your f ...

The main problem with using an on-camera flash is the same as using the built-in flash, the light goes straight at the subject and flattens features and can cause red-eye. With an on-camera flash you almost always want to use a diffuser if sh ...

Low light...it can be a photographer's nightmare. But here are some basic techniques that I use daily to overcome this obstacle. Some of this may sound mundane, but I am surprised constantly by how many photographers do not understand these b ...

When ever we use a light source to illuminate an object, that object is being hit with multiple "rays" of light. Some of those rays are hitting the object in the place which is nearest to the light source, and some of the rays are hitting the ...

Even on a cloudy day, when you step indoors, the level of the light drops by more than 5 f-stops. So, on that same cloudy day when the exposure might be ISO 100 at 1/60 at f/8, indoors the exposure suddenly becomes ISO 400 at 1/15 at f/4. On ...

"Few decisions can push your photography to the next level like investing in serious, off-camera lighting. But what type of light? Your choices include exotics like HMI and LED lights, but the most popular today are tungsten, daylight-balance ...

When you are shooting a home with a view, there’s nothing more important to the home owners and listing agent than seeing stunning view through the windows. You want to make the windows look like someone took out the glass! From a photo editi ...

One thing that seems to baffle a lot of new photographers is understanding the term “stop” as it pertains to a measurement of light. We see this word used over and over with regards to shutter speed, aperture, film speed, filters, lighting, a ...

Studio lighting can be broken down into two categories, continuous and flash. While continuous lighting has two main advantages there are many disadvantages. The good points of continuous light: * It's inexpensive, and makes a good starting ...

Inside each lens is a diaphragm that can open and close, the size of the opening at any given setting is what we refer to as the aperture setting. On our cameras we refer to specific size settings as f-stops such as f/2.8, f/5.6, f/11, etc. W ...

Let’s establish a few ground rules for what we are going to be doing. First, this isn’t an ETTL, CLS, or any other kind of electronic exposure control in the flash unit. We are talking about manual settings. Manual is where the power is. ...

What I’m aiming for is the article I wish I’d found when I first got my camera, to help explain the relationship between three critically important parameters: the ISO speed, aperture (or f-stop number), and shutter speed. To lead with, th ...

"We live in a world of off-axis light. The sun does not stay right behind us. Our lighting fixtures at home illuminate us from above and other various angles. And we are constantly exposed to imagery - both still and moving - that makes use o ...

"Using pretty much the same lighting set-up; natural window light, along with a Westcott Daylight Fluorescent Spiderlite with a 24x32 softbox as a fill light, and a small handheld white reflector to fill in the shadows xon the opposite side ...