Archive for December, 2008

Point-and-shoot enthusiasts looking for a smooth move into the digital SLR world will love Olympus's nifty E-520 ($539-$599, with lens). Not only will its performance satisfy, but its packed feature set gives shutterbugs a dizzying array of ways to customize the camera.
Although its physical proportions mirror other compact DSLRs in the market, this 10 megapixel offering is much lighter than many. That's partly due to its use of Four Thirds technology. That technology was built from the roots up for digital SLRs. As a result, they have smaller lenses that weigh less than those found in more conventional mirrorcams.
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Tags: camera review, E-520, EVOLT, olympus, olympus evolt, panorama photography, Point-and-shoot
Posted in PHOTO GEAR |

Lightroom 2.2 is now available on Adobe.com. (Mac, Win) The release includes new camera support for the following models:
- Canon EOS 5D Mark II
- Canon PowerShot G10
- Panasonic DMC-G1**
- Panasonic DMC-FX150**
- Panasonic DMC-FZ28**
- Panasonic DMC-LX3**
- Leica D-LUX 4**
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Tags: Download, LIGHTROOM, raw converter, SOFTWARE
Posted in LIGHTROOM, SOFTWARE |

Panasonic's compact digital camera range is a better starting point than most for the absolute beginner, with intelligent auto functions switching shooting modes for you depending on the subject, plus optical image stabilization (Mega OIS) on board as standard to help avoid unwanted camera shake. With a mainly metal build, the diminutive Lumix DMC-FX37 updates the FX35 model and is a solid feeling if unassumingly oblong addition to the range, marrying the above features to a 10.1 megapixel resolution for a manufacturer's asking price of £249 / $350.
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Tags: compact digital camera, Lumix DMC-FX37, optical image stabilization, panasonic
Posted in PHOTO GEAR |

Digital cameras and zoom lenses go hand in hand. When shopping for your new camera, chances are one of the first features the salesman mentioned was the power of the zoom lens.
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Tags: digital cameras, sports photography, wide angle lens, wildlife photography
Posted in PHOTOGRAPHY |

For most folks, curves is the weapon of choice, and for good reason. Curves is one of the easiest way to dial in just the right amount of contrast to make photograph “pop”. Today though I’m going to share 5 simple ways to make your photos pop without curves. Each provides a slightly different look to your photograph, and I present them only as potential tools in your arsenal of tricks. In general I use some combination of all them in almost all my work, in addition to curves to take my photographs to higher levels.
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Tags: curves, lab mode, photoshop techniques, transitions
Posted in PHOTO RETOUCHING, PHOTOSHOP, TUTORIALS |

The main problem with using an on-camera flash is the same as using the built-in flash, the light goes straight at the subject and flattens features and can cause red-eye. With an on-camera flash you almost always want to use a diffuser if shooting straight on. There are a wide range of diffusers such as my favorite, the Gary Fong Lightsphere. What you really want to achieve is a larger light source to help prevent harsh shadows. Without a diffuser, your best bet is to aim the flash at something you can bounce the light off of such as a wall, ceiling, foam board, reflector, or even a white shirt.
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Tags: Basics, diffusers, FLASH, foam board, gary fong lightsphere, light source, LIGHTING, lighting basics, lighting setup, napkins, playing cards, Shadows, single light
Posted in FLASH, LIGHTING, PHOTOGRAPHY |

Interesting in order to compare the Alpha 900 and D3x prices and performance
"The Nikon D3X’s 24.5-megapixel FX-format (35.9 x 24.0mm) CMOS sensor was developed expressly for the D3X in accordance with Nikon’s stringent engineering requirements and performance standards, with final production executed by Sony. Featuring refined low-noise characteristics, 12 and 14 bit output, Live View capability and more, the D3X’s unique sensor design was carefully blueprinted to perform in perfect concert with proprietary Nikon technologies including EXPEED Image Processing and the Scene Recognition System.
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Tags: image processing, Nikon D3X, rob galbraith, sensor design, sony sensor
Posted in PHOTO GEAR |

iStockPhoto
The idea was simple, horrible, successful and completely revolutionary. To inject some competition into a stock photography market now dominated by one big company was no bad thing. But to do it by making the images royalty-free and to charge a price that many photographers saw as insultingly low was, in their eyes, outrageous. It wouldn’t last they said. No one would want to contribute.
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Tags: photography business, photography market, stock photography, talented amateurs
Posted in THE WEB |

The Pentax K200D has a 2.7-inch LCD display with 230,000 pixels and a 160-degree horizontal/vertical viewing angle. The viewfinder is a lightweight pentamirror TTL optical design with 96% field of view, 0.85x magnification, diopter adjustment from -2.5m-1 to +1.5m-1, and a Natural-Bright-Matte II focusing screen. The Pentax K200D maintains the autofocus system of the K10D/K100D, Pentax's SAFOX VIII phase matching system with 11 autofocus points.
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Tags: camera review, k 200D, pentax
Posted in PHOTO GEAR |

The first thing that strikes you when taking the LUMIX G1 in your hand is the nice rubber-like 'skin' as coating for the camera. This coating is fairly unique and offers a pleasant grip. It is soft and sticky at the same time, thus offering a good grip on the camera. The design of the Panasonic G1 is quite similar to that of a digital SLR camera, however, it also resembles an advanced compact camera. The 14-45 mm f/3.5-5.6 lens is extremely compact and looks almost like a miniature, also because of its compact diameter. It's astonishing to see that Panasonic has achieved a zoom lens this compact, including the MEGA O.I.S. image stabilizer of Panasonic.
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Tags: Lumix DMC-G1, panasonic, panasonic lumix dmc
Posted in PHOTO GEAR |