When the photography world first came across the idea of candid portaiture – making informal shots of people who were not aware of being photographed or at least not posing for the camera – it was a Big Thing. This was because up to then, portraiture called for large studio cameras wound up with cranks, fancy studios with painted backgrounds and – you can guess – big bucks for the privilege.
One way to be seen yet ignored is to take the time to blend into the background. Imagine walking into a market in Kashgar in far western China: as a tourist, everyone notices you, especially if you arrive with a group. You represent new custom, a chance to sell their goods. But if you only want to grab some shots then run to the next sight, the anticipation turns to disappointment. Little wonder if some stall-holders are not too friendly.
