There is so much talk on some forums about the ’softness’ of shoot-thru umbrellas and how much it works to provide a soft light. And there is certainly some truth to that statement… especially with umbrellas at a distance.
But finessed lighting that is done close to the subject finds that the shoot-thru umbrella has no ‘wrap’ to it, instead it scatters the light from the source instead of focusing the light
Umbrellas are cheap, portable little light softeners. But there are enough choices available to make picking the right one a little confusing. Or worse yet, to end up with something that is completely a wrong fit.
SpeedlightProKit is making its first foray into the UK with the launch of its ProKit flash accessory pack.
The kit consists of a reflector hood that fastens to the flash light with a non slip Velcro strap, a diffuser panel and a large honeycomb panel, both of which fit into the reflector and two smaller honeycombs each with their own hood.
Walk into most professional photographer’s studios and you’ll be confronted with truckloads of lighting equipment. To the average hobby photographer it’s enough to make your mind boggle - and for your stomach to turn as you think about the cost of it all.
1. Set up a white diffuser or diffusion panel behind your subject like a backdrop. (Make sure the sun is behind diffuser but not necessarily low in the sky)