Photograph Macro Shots using Live View Mode
Kerry from CameraDojo.com shows how he uses Live View mode when doing macro photography
Kerry from CameraDojo.com shows how he uses Live View mode when doing macro photography
PhotographyBB announced today, the release of the 17th edition of the PhotographyBB Magazine Online. The PhotographyBB Magazine Online is a leading resource in the future of free information distribution, offering readers: Digital Photography tips and techniques, DSLR camera function training, and image post processing tutorials in Adobe Photoshop, and RAW processing in Photoshop Lightroom.
The June 2009 edition features articles on photography techniques and issues facing today’s digital photographer. Readers will learn tips on composition and how keeping things simple can lead to great photography. The issue also examines how to overcome “photographer’s block” when lack of inspiration occurs. Included is also a Photoshop tutorial on creating an urban “grunge” type effect for dramatic impact.
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Using a camera, strobes, and explodingwater balloons, you'll see how Chase and his crew freeze ultra high-speed action in the studio.

Freezing fast motion (AKA High Speed Photography), can give some pretty special photographic effects. High Speed Photography is used in physics, health research, sports and more. This guide describes how to capture super fast movements using ordinary camera gear and a little home made electronics. I will describes the setup I used the problems I encountered and what I did to solve or work around them.
This tutorial will walk you through the steps of making stunning raindrop reflection images. Lindsay Adler (of Adler Photo Workshops) will cover equipment and techniques, and give you advice to make the most of your time.
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PhotographyBB announced today, the release of the 16th edition of the PhotographyBB Magazine Online. The PhotographyBB Magazine Online is a leading resource in the future of free information distribution, offering readers: Digital Photography tips and techniques, DSLR camera function training, and image post processing tutorials in Adobe® Photoshop™, and RAW processing in Photoshop Lightroom™.
The May 2009 edition is packed with helpful tips for beginners to intermediate level digital photographers. This month the magazine explores positive ways to engage law enforcement officials, preparing your gear for rainy day photography, and a brand new “readers questions” column. Additionally there are Photoshop™ and Lightroom™ tutorials for photographers to get the most out of their post processing techniques.
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The traditional wisdom is to shoot portraits on lenses ranging from 85mm to 120mm focal length when using a 35mm film or full frame DSLR camera. The reason is simple. You avoid distortion, and because of the slight compression produced by a telephoto lens the portrait tends to be more flattering.
However, in the world of photojournalism and reportage style photography wide-angle lenses are commonly used to give the viewer a feeling of being right in the middle of the action.
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Light is the language of photography. To express yourself well and communicate you need to be able to speak with light.
Light determines what you see (and what you don’t see); the mood of an image; colour and tone. Light can be loud and brash or soft, gentle and soothing. It can wrap around something or cut across it as hard and sharp as a Samurai sword.
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Back in the day, it used to be that only professionals or people with wads of cash could afford a Panoramic camera to capture Panoramic images; the time and skill required to stitch images together was beyond the scope of your average digital photographer and the tools to do so were even more primitive or non-existent. Not so today; in present times there’s an abundance of photo stitching software and even adverts on TV with little kids taking and stitching photos together, so while the process may look like child’s play, there are still a few things that need to be considered when taking the pictures for a stitched panorama.
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The swivel (or umbrella holder) is designed in a way that the umbrella does not go exactly 90 degrees into the shaft. It is tilted upwards a bit - this is done since the flash mounted on the swivel is not 100% aligned with the center of the umbrella. If the insert was angled at 90 degrees, light from the flash would hit only the top of part of the umbrella, creating uneven light.
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What is a Large format camera ?
That's grand-dad's bellows box-like camera, where you had to disappear under a dark cloth. The principle remains the same, however nowadays they have evolved into precise and sophisticated instruments.
With a few notable exceptions, these cameras share the following characteristics:
1. Large image size: 4x5 inches (10x12cm), the most popular format by far, up to 20x24 inches (the Polaroid camera, which can be rented on-site for a reasonable fee). The film comes in separate sheets rather than rolls, but see below.
Water Droplet and Splash Photography Tips