Tamron 18-270 mm VC compared to Tamron 18-250 mm lens.

Tamron keeps on surprising DSLR users with its ultra-zoom lenses with performance levels that once was never though to be possible. Tamron 18-250mm f3.5-6.3 since its first introduction has become one of the most versatile lens (13.8x zoom)for APS-C DSLR cameras while offering image quality that is competing with zoom lenses with less magnification ratios. Surely it has some drawbacks like being slow on the long side, chromatic aberrations in certain situations, etc. but overall I think it is a perfect all-round lens.

Now Tamron takes the ultra-zoom DSLR lenses to next level with the new AF 18-270mm F/3.5-6.3 Di II VC LD Aspherical (IF) Macro, taking the world record once again with the 15X zoom, and adding its Vibration Compensation system (VC) in to the game, making it even more attractive for Canon and Nikon users whose bodies lack sensor based Image stabilization.

continue

Related posts:

Tamron AF 18-270mm F/3.5-6.3 Di II VC (Vibration Compensation) LD Aspherical (IF) Macro Tamron’s Vibration Compensation—Blur-Stopping Power With No Annoying Motion Delay In Your Viewfinder! With the advent of the latest 15X zoom lens from Tamron, the pioneer of high power zoom lenses, the high power zoom lens has steadily evolved from a 7.1X to a 10.7X to a 13.9X and now...

Tamron Americana AF 18-270mm VC Lens photo contest The Tamron User Entering the Best Image of Americana Will Receive a Tamron AF18-270mm VC Lens November 12, 2008, Commack, NY— Baseball, apple pie, diners, drive-ins, folk art. From its music to its main streets, America is defined by its history and its present, how we live and breathe...

Tamron 18-270mm VC lens review plus sample photos First things first; the AF 18-270mm f/3.5-6.3 Di II VC LD Aspherical (IF) MACRO undoubtedly represents an impressive feat of optical engineering, and Tamron has to be applauded for producing a superzoom that has significantly longer telephoto reach than its direct competitors without further compromising image quality. That’s not...

Nikon D90 compared to the Canon EOS 50D, Nikon D80, and Nikon D300 Digital Cameras With the announcement of the new 15.1 MP Canon EOS 50D and the 12.3 Nikon D90 enthusiast digital SLR cameras coming on almost the same day, there is certainly a lot of excitement (and debate) happening among photographers within the Canon and Nikon communities. The Canon EOS 50D is...

Tamron 18-270 mm and 10-24 mm Lenses. A Technological Breakthrough-World’s Longest Range 15X Zoom Lens Has Exclusive Built-In Vibration Compensation Mechanism Optimized For Consumer Digital SLR Cameras September 1, 2008, Saitama City, Japan - Tamron Co., Ltd., under the leadership of Mr. Morio Ono, President, has unveiled a unique ultra high power zoom lens-the Tamron AF18-270mm...

Canon EF-S 18-200mm f/3.5-5.6 IS lens. Canon today strengthens its EF-S series of lenses with the launch of a versatile new model: the . With an equivalent focal length of 29-320mm, the lens offers an 11x zoom range – making it a powerful, lightweight alternative to carrying multiple lenses. The EF-S 18-200mm f/3.5-5.6 IS is...

Alternative lens hoods available for Canon lenses Alternative lens hoods available for Canon lenses Purchasers of Canon lenses have previously had little option other than to purchase the manufacturers own brand of lens hoods. However there is now an alternative cost-effective solution from Kenro in the form of Marumi Lens Hoods available in a range of...

AF-S DX Nikkor 18-105mm F/3.5-5.6G ED VR lens. Nikon UK is pleased to announce the introduction of the AF-S DX NIKKOR 18-105MM F/3.5-5.6G ED VR. The new NIKKOR lens, with a focal length between 18 and 105 mm, is a high performance and cost efficient lens with a focal length equivalent to 27 to 157.5 mm in...

Tip for DSLR Beginners: Get a 50mm Lens “I’m upgrading to a digital SLR. What camera model and lens should I get?” We get asked this often, and our reply is always the same. It matters little what DSLR you have, so long as you’ve got great lenses. And when you’re starting out, there’s really no need...

Nikon AF-S NIKKOR 50mm f/1.4G Lens. 75 Years Later and 45 Million Lenses Produced, the NIKKOR Pedigree Continues to Thrive with the Introduction of the AF-S NIKKOR 50mm f/1.4G Lens MELVILLE, N.Y. (Sep 22, 2008) – Nikon Inc. celebrates 75 years of defining optical excellence with the release of the newly engineered AF-S NIKKOR 50mm...

Canon EF 24mm f1.4L II USM lens announced. Canon enhances EF series with new EF 24mm f1.4L II USM fast aperture wide-angle prime lens United Kingdom/Republic of Ireland, 17 September, 2008: Canon today strengthens its line-up of EF-series lenses with the introduction of a new fast aperture prime lens: the EF 24mm f1.4L II USM. Replacing the...

Canon EF 50mm F1.4 USM lens review. The Canon EF 50mm F1.4 USM is Canon’s mid-level offering in a range stuffed full of 50mm primes, covering all budgets from the ultra-cheap 50mm F1.8 mkII through to the stratospherically-priced 50mm F1.2 L USM. As such, it’s designed as a ’standard’ lens for the 35mm full-frame format, with...







Tags: 18-270, 50mm, camera, Canon, FLASH, lens, nikon, Ratios, RAW, review, softbox, studio, tamron

This entry was posted on Sunday, October 5th, 2008 at 6:05 am and is filed under PHOTO GEAR. Pinging is currently not allowed.